Un’opera per leggere la Tunisia di oggi: Ḫamsūn di Ǧalīlah Bakkār

Articolo della rivista, Anno III, numero 5, giugno 2013
This article is focused on Ǧalīlah Bakkār’s Ḫamsūn (Fifty), which stands as a highly representative example of Tunisian dramatic production. Since its early onset, Tunisian theatre has been characterized by a variety of trends revealing a pervasive pattern of social criticism. One of the pioneers of the new generation of [...]